About Maryam Kashani

Maryam Kashani works from a deep commitment to the aesthetic and political possibilities of experimental filmmaking, music, and the essay form, whether as 16mm films and videos, text/sound/image installations and live performance, DJing, or written monograph. Her work explores the relationships between physical landscapes and the sociopolitical, material, and spiritual histories and forces that emerge with and against them and is concerned with narration and description, archive, and knowledge production with a particular focus on collective study and struggle in and against colonial racial capitalism across local and global geographies. She recently published Medina by the Bay: Scenes of Muslim Study and Survival (Duke University Press, 2023), which is an ethnocinematic examination of how multiracial Muslim communities in the San Francisco Bay Area survive within and against racial capitalist, carceral, and imperial logics. Her films and video installations (http://www.maryamkashani.com/) have been shown at film festivals, universities, and museums internationally, including the Sharjah Biennial, MoMA, Hammer Museum, Chelsea Museum, and the Pacific Film Archive.

Kashani is an associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.